My favorite work from the quarter was probably “The Crane
Wife” poem especially for the ways in which it related mistreatment of animals
to misogyny. The poem is narrated from the perspective of the crane wife as she
struggles to address the pain of her situation and the fact that she tries to
accept it. Though she as a woman and as an animal finds companionship with a
man, as many woman and animals do in vastly different ways, this relationship
is a cage, limiting and binding her. Throughout the piece she makes note of how
she tells “[herself], there is no pain” and how she questions why she
“shudder[s] with every bump and bang of the loom.” Even when she is free from
the rope that binds her, she cannot help but follow the man, forgoing freedom.
Not only does this poem comment on the similarities between the institutional
oppression against women and the abuse against animals, it more specifically
likens the physical and emotional abuse against women with the owning of
animals. Like many woman in abusive relationships, the relationship is
difficult to escape much like the crane’s unwillingness to fly to freedom
despite the uncomfortable nature of her “marriage.” Both the ownership of a pet
and the abuse of a partner seemingly stem from a place of love initially,
though it is truly from a territorial place of cruelty that harms both animals
and women respectively.
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